"Hotnight Crash"
Back in the standard definition days, it was always somewhat heartbreaking to take your beautiful super 35mm neg, and transfer it down to NTSC 640x480 (720x486) resolution. This one was fun, because we composed a lot of shots wide, and then pushed in on the negative during telecine/color correction to create a tighter shot. This created some interesting editorial opportunities, as well as having more pronounced film grain structure in the pushed-in shots. DaVinci Color and URSA Diamond wonderfulness by Dave Hussey from Company 3 LA. Shot this with Martin Ahlgren, ASC at the Poodle Parlor in LA.